Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people in fact delight in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually shaped how I select inks, pretreatments, and materials for custom clothing projects. Over the years, I've found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce stunning outcomes and real convenience, specifically for T shirt printing that needs to withstand day-to-day wear.
If you run a brand name, manage bulk t t-shirt orders, or simply want your customized t-shirts to feel like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The best option can make the difference in between a t-shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a film, water based inks absorb into the fibers. That single characteristic discusses the majority of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often identical from the shirt itself. For customized t shirts designed for comfort, this is the path to the "retail feel" customers ask for.
There are two main families: standard water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either need a much heavier print or you change to discharge. Discharge printing utilizes an activator that lifts the color from the material during curing, basically whitening the t-shirt's color in the printed locations, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally consist of less volatile natural substances than solvent-heavy alternatives and avoid PVC completely. Numerous are certified with strict standards like Oeko-Tex or satisfy retail screening programs that prohibit specific phthalates and heavy metals. If you offer custom-made clothing into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise need to look at store practices: purification on your washout booth, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge requires an activator, generally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. local embroidery shop In a well-run store, exposure is controlled and waste is caught. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they enjoy the ink. They buy it since the garment looks good, feels excellent, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, offer you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often obtain from heavy plastisol when you extend across the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear customers choose, however the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different color lots discharge differently, even within the very same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, but you're still working with a background that is shifting as the dye is removed.
That's not a defect, it becomes part of the medium. Many designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color reproduction for corporate logos, either order test prints on the specific batch you prepare to use or think about a water based underbase or hybrid method where required. For wholesale t shirts that will be dispersed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge just raises the cotton part. That implies your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, vibrant color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you need to print on completed garments, expect small spaces along seams, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which works on fabric however can lock a mesh if you pause too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a consistent range, approximately 45 to 55 percent, to prevent early drying. Manual press operators will discover how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent rate, decrease clogging.
Curing is where many beginners miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You desire even heat throughout the belt and sufficient dwell to reach the maker's cure temperature level throughout the ink layer, not just at the surface. Shirts leaving the tunnel must be dry to the touch without any cool spots. For discharge, the chain reaction happens throughout this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and breaking. Water based prints reveal gradual softening and a mild fade in the very same method denim unwinds. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For personalized t-shirts that need to look good at a family reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, cars perform at comparable speeds. Where it actually settles remains in perceived value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turnaround and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with numerous colorways and need to keep stock versatile, a versatile water based combination on light garments is efficient, considering that you avoid the weight and tightness that collect with multiple underbases in plastisol.
Design preparation begins with the fabric color and ends with treating. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, especially on high-absorbency cotton. If you require razor negative area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of relying on a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I encourage against discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor during treating, discharge days in the shop are visible. Well-managed air flow mitigates this, however it becomes part of the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles frequently sink, and the effect is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that eliminates guesswork. A basic technique keeps surprises at bay and helps you struck due dates for launches and events.
Print on demand has its own constraints: quick art modifications, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange catalog technique. For designs that are high volume even at little everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel better than numerous DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I discuss what they are buying. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a little uplift that can be neutralized by choosing a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at premium rate points, the improvement in viewed worth more than covers the change.
For personalized shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels often read like legal disclaimers. Keep it basic and sensible so the t-shirt makes it through real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, however they will endure normal laundering if effectively treated. I recommend phrasing care pointers in human terms on product pages: wash cold with similar colors, topple dry low, prevent fabric conditioners if you desire colors to stay crisp. The last note matters because some softeners can transfer movies on fibers, dulling the visual contrast of fine lines.

I have actually tested these directions in-house: 2 identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee Water-based ink revealed slightly quicker fading of mid-tones, yet still looked good. That tolerance originates from proper treatment, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brand names that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments check out as custom from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from 2 mills. Batch one raised easily with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the right duration. Use a donut probe or an embedded thermochromic strip to determine real ink movie temperature level, not just dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood in between prints, and control shop humidity.
A third pitfall is ignoring fabric irregularity. If you switch blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your buying. For brand names preparing ahead, picking a standard blank and locking it with your provider reduces surprises.
If your priority is soft, breathable custom garments that clients keep using, water based inks are worth the learning curve. Use basic water based upon light garments for clean information and matte color. Relocate to release on 100 percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for small color variation with discharge, particularly throughout dye lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will utilize, then record your settings and keep back a recommendation shirt for quality control.
If you operate a print on demand catalog, take a water based capsule of best sellers on light t-shirts. minimum order quantity Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a client rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they should have a location in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515