Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people actually take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has actually formed how I select inks, pretreatments, and fabrics for custom garments tasks. For many years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce stunning outcomes and genuine convenience, particularly for T t-shirt printing that needs to stand up to day-to-day wear.
If you run a brand, handle bulk t shirt orders, or just desire your personalized t-shirts to feel like a favorite from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The ideal option can make logo embroidery the distinction between a t-shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks soak up into the fibers. That single characteristic discusses the majority of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the t-shirt itself. For custom-made t t-shirts designed for convenience, this is the course to the "retail feel" customers ask for.
There are two main families: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the best base, once you move into darker materials, you either need a heavier print or you switch to release. Discharge printing uses an activator that lifts the dye from the fabric during curing, basically bleaching the shirt's color in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks normally contain less volatile organic substances than solvent-heavy options and prevent PVC entirely. Many are compliant with stringent standards like Oeko-Tex or satisfy retail screening regimes that prohibit certain phthalates and heavy metals. If you sell custom-made apparel into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to look at store practices: purification on your washout booth, reclaim chemistry, energy usage on your dryer, and even fabric sourcing. Discharge needs an activator, usually based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is managed and waste is recorded. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most individuals do not purchase a graphic tee because they love the ink. They purchase it because the garment looks good, feels great, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, provide you that broken-in convenience from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases obtain from heavy plastisol when you extend across the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear customers prefer, but the user feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is shifting as the dye is removed.
That's not a flaw, it becomes part of the medium. Many designers embrace the somewhat classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color reproduction for business logos, either order test prints on the specific batch you prepare to use or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only raises the cotton part. That suggests your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vivid color on a poly blend, traditional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you need to print on completed garments, expect small voids along joints, which some clients like as part of the garment's character.
Water based inks behave in a different way on press. They dry much faster in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a constant range, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent speed, decrease clogging.
Curing is where many newbies fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the distinction. You desire even heat throughout the belt and adequate dwell to reach the manufacturer's remedy temperature throughout the ink layer, not just at the surface. T-shirts exiting the tunnel should be dry to the touch with no cool spots. For discharge, the chemical reaction happens during this cure, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon appropriate treatment and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and breaking. Water based prints show progressive softening and a gentle fade in the same method denim relaxes. Plastisol's failure mode is different, normally splitting if the ink layer is too thick or under-cured. For personalized t-shirts that require to look proficient at a family reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, cars run at similar speeds. Where it actually settles is in perceived worth. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turn-around and art modifications continuously, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t shirts with several colorways and should keep stock flexible, a versatile water based combination on light garments is effective, given that you avoid the weight and stiffness that accumulate with several underbases in plastisol.
Design preparation starts with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of relying on a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I recommend versus discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, especially with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer personalized tees is delicate to minor smell throughout treating, discharge days in the store are obvious. Well-managed airflow mitigates this, but it belongs to the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that removes uncertainty. A basic method keeps surprises at bay and assists you hit due dates for launches and events.
Print on demand has its own constraints: fast art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you arrange brochure technique. For designs that are high volume even at little everyday quantities, pre-burning screens and keeping a small stock of popular sizes lets you deliver very same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol task, I describe what they are buying. They get the soft hand that retail clients equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, bag and backpack embroidery the difference for a basic three-color front hit may be modest, often a small uplift that can be reduced the effects of by choosing a somewhat more cost-effective blank. If the program is for wholesale t shirts going into boutiques or e-commerce at superior price points, the improvement in viewed worth more than covers the change.
For individualized shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it simple and sensible so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will endure normal laundering if correctly cured. I suggest phrasing care ideas in human terms on item pages: wash cold with comparable colors, tumble dry low, prevent material conditioners if you desire colors to remain crisp. The last note matters because some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I've checked these directions in-house: two similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little quicker fading of mid-tones, yet still looked good. That tolerance originates from appropriate cure, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling joints, design for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The finished garments read as customized from a range, which is the goal.
One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on 3 blacks from two mills. Batch one raised cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The result: consistent tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the ideal period. Utilize a donut probe or an embedded thermochromic strip to determine true ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent pace on press, flood between prints, and control shop humidity.
A 3rd mistake is neglecting material irregularity. If you switch bulk custom t shirts blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Construct contingency into your acquiring. For brands preparing ahead, choosing a standard blank and locking it with your provider decreases surprises.
If your priority is soft, breathable custom-made clothing that consumers keep wearing, water based inks are worth the learning curve. Use standard water based on light garments for clean information and matte color. Transfer to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and plan for small color variance with discharge, specifically throughout color lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will utilize, then document your settings and hold back a referral shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a client rubs their thumb throughout a print and feels nothing however fiber, you've won. That's the moment water based and discharge provide, and why they deserve a location in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515