Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent stress: the push for softer, more breathable prints that people actually delight in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I pick inks, pretreatments, and materials for customized apparel projects. Throughout the years, I've found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce stunning outcomes and genuine comfort, particularly for T shirt printing that requires to withstand day-to-day wear.
If you run a brand name, manage bulk t t-shirt orders, or merely desire your individualized shirts to feel like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The right option can make the distinction in between a shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a film, water based inks absorb into the fibers. That single characteristic discusses the majority of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often indistinguishable from the shirt itself. For custom-made t shirts developed for comfort, this is the path to the "retail feel" customers ask for.
There are two primary households: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the ideal base, once you move into darker fabrics, you either require a heavier print or embroidery services you change to discharge. Discharge printing uses an activator that lifts the color from the material during curing, basically bleaching the shirt's dye in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks normally include fewer unpredictable natural substances than solvent-heavy options and avoid PVC altogether. Numerous are certified with strict standards like Oeko-Tex or satisfy retail testing routines that ban particular phthalates and heavy metals. If you sell custom apparel into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You also require to look at shop practices: filtration on your washout booth, recover chemistry, energy use on your dryer, and even material sourcing. Discharge requires an activator, normally based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, exposure is controlled and waste is caught. If you're using print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they enjoy the ink. They purchase it since the garment looks excellent, feels great, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, offer you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often obtain from heavy plastisol when you extend throughout the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear customers choose, but the user feedback corresponds: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light shirts, standard water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still dealing with a background that is moving as the color is removed.
That's not a defect, it becomes part of the medium. Lots of designers welcome the a little vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color recreation for corporate logos, either order test prints on the exact batch you prepare to use or consider a water based underbase or hybrid approach where Screen burning needed. For wholesale t t-shirts that will be distributed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just raises the cotton portion. That means your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly mix, standard plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you need to print on ended up garments, anticipate small voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which works on material however can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting service at hand, and keep the print space humidity in a constant variety, roughly 45 to 55 percent, to prevent early drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent rate, reduce clogging.
Curing is where many beginners fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough airflow makes the difference. You desire even heat across the belt and adequate dwell to reach the producer's remedy temperature throughout the ink layer, not simply at the surface area. Shirts exiting the tunnel must be dry to the touch without any cool areas. For discharge, the chain reaction happens throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlive the t-shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual inspection for fading and splitting. Water based prints show steady softening and a gentle fade in the very same way denim relaxes. Plastisol's failure mode is various, normally splitting if the ink layer is too thick or under-cured. For individualized t-shirts that require to look good at a family reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be a little slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos run at comparable speeds. Where it actually pays off remains in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs overnight turnaround and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel trade-offs. When you handle wholesale t shirts with multiple colorways and must keep stock flexible, a flexible water based scheme on light garments is efficient, print on demand DTG given that you avoid the weight and stiffness that build up with several underbases in plastisol.
Design planning starts with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not catch fiber interplay and dye lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a vector vs raster for DTG shadowed print that looks undercured even when it isn't. If a customer is delicate to small odor during curing, discharge days in the store are obvious. Well-managed airflow mitigates this, but it becomes part of the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles often sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that uniform embroidery should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that removes uncertainty. A basic technique keeps surprises at bay and assists you struck deadlines for launches and events.
Print on demand has its own restraints: fast art modifications, small batch sizes, and the need for a broad color gamut. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you organize catalog method. For designs that are high volume even at small everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to a couple of colors and select light garments.

If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Customers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I explain what they are purchasing. They get the soft hand that retail clients equate with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, frequently a little uplift that can be reduced the effects of by selecting a somewhat more economical blank. If the program is for wholesale t t-shirts going into shops or e-commerce at superior cost points, the improvement in perceived worth more than covers the change.
For individualized shirts, such as charity runs or college clubs, alternatives matter. Deal a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.


Care labels frequently check out like legal disclaimers. Keep it easy and reasonable so the t-shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will sustain typical laundering if correctly cured. I suggest phrasing care pointers in human terms on product pages: wash cold with similar colors, topple dry low, prevent fabric softeners if you want colors to stay crisp. The last note matters since some softeners can transfer movies on fibers, dulling the visual contrast of fine lines.
I've tested these directions in-house: 2 identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat quicker fading of mid-tones, yet still looked excellent. That tolerance comes from correct treatment, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting seams, design for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The ended up garments check out as custom from a range, which is the goal.
One spring we ran a series for a local music celebration. The customer wanted soft black tees with a sunburst print that felt like it lived in the material. We tested on three blacks from two mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the ideal duration. Utilize a donut probe or an ingrained thermochromic strip to measure true ink film temperature, not simply clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood in between prints, and control store humidity.
A third risk is disregarding material irregularity. If you change blanks mid-run because a size is out of stock, you may see shifts in color. Build contingency into your buying. For brand names planning ahead, picking a basic blank and locking it with your provider reduces surprises.
If your priority is soft, breathable custom apparel that customers keep using, water based inks deserve the learning curve. Use standard water based upon light garments for clean information and matte color. Transfer to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and plan for small color variance with discharge, especially across color lots. For bulk t shirt orders, build in a single round of physical sampling on the real blanks you will use, then document your settings and hold back a recommendation t-shirt for quality control.
If you operate a print on demand catalog, take a water based pill of finest sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you've won. That's the minute water based and discharge provide, and why they are worthy of a location in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515