Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that individuals actually delight in using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has actually formed how I pick inks, pretreatments, and fabrics for custom clothing tasks. Throughout the years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce beautiful results and real comfort, especially for T t-shirt printing that requires to withstand daily wear.
If you run a brand, manage bulk t shirt orders, or simply want your tailored t-shirts to seem DTF vs DTG like a favorite from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The best option can make the difference in between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks take in into the fibers. That single particular discusses the majority of the advantages and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically identical from the shirt itself. For custom-made t shirts created for convenience, this is the path to the "retail feel" customers ask for.
There are two main households: basic water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, once you move into darker materials, you either require a much heavier print or you change to release. Discharge printing uses an activator that lifts the color from the material during curing, essentially whitening the shirt's dye in the printed locations, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically include fewer unpredictable natural substances than solvent-heavy alternatives and prevent PVC entirely. Lots of are certified with rigorous requirements like Oeko-Tex or fulfill retail screening programs that prohibit specific phthalates and heavy metals. If you offer customized clothing into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also require to look at store practices: filtration on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even material sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, direct exposure is controlled and waste is recorded. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most individuals do not buy a graphic tee since they like the ink. They buy it because the garment looks great, feels excellent, and keeps that character after duplicated washing. Water based inks, including discharge, provide you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases obtain from heavy plastisol when you extend throughout the chest.
I keep a rack of contrast t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear customers prefer, however the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Different dye lots discharge in a different way, even within the exact same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, however you're still working with a background that is shifting as the dye is removed.
That's not a defect, it belongs to the medium. Many designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color reproduction for business logo designs, either order test prints on the exact batch you plan to utilize or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a partnership between design your own t shirt ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only raises the cotton part. That means your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, brilliant color on a poly mix, conventional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you must print on ended up garments, expect small voids along joints, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit Screen reclaiming thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a steady range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will notice how quickly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, reduce clogging.
Curing is where many newbies miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the difference. You want even heat across the belt and adequate dwell to reach the producer's remedy temperature throughout the ink layer, not simply at the surface area. Shirts leaving the tunnel should be dry to the touch without any cool spots. For discharge, the chain reaction occurs during this treatment, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and splitting. Water based prints reveal progressive softening and a gentle fade in the same method denim relaxes. Plastisol's failure mode is different, generally cracking if the ink layer is too thick or under-cured. For customized shirts that need to look proficient at a household reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, but you invest more in shop environment and CMYK screen printing drying capacity. On press, water based can be a little slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, vehicles run at similar speeds. Where it really pays off remains in viewed worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you take on wholesale t t-shirts with several colorways and should keep inventory versatile, a versatile water based combination on light garments is efficient, because you prevent the weight and stiffness that collect with numerous underbases in plastisol.
Design planning begins with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can complete with discharge, especially on high-absorbency cotton. If you require razor negative area, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, specifically with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, specifically reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small smell throughout treating, discharge days in the shop are noticeable. Well-managed airflow reduces this, but it is part of the process.
If a customer requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles frequently sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that gets rid of guesswork. A basic technique keeps surprises at bay and assists you hit due dates for launches and events.
Print as needed has its own constraints: quick art changes, small batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you arrange catalog technique. For designs that are high volume even at small daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver exact same day with water based prints that feel better than lots of DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I explain what they are purchasing. They get the soft hand that retail clients correspond with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, typically a little uplift that can be neutralized by picking a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at superior cost points, the enhancement in perceived value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, choices matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and sensible so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will sustain normal laundering if effectively cured. I suggest phrasing care pointers in human terms on product pages: wash cold with comparable colors, topple dry low, prevent fabric softeners if you want colors to stay crisp. The last note matters because some softeners can transfer movies on fibers, dulling the visual contrast of fine lines.
I've checked these directions in-house: two identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly much faster fading of mid-tones, yet still looked good. That tolerance originates from proper cure, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling seams, design for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell minimal runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments read as custom from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that felt like it lived in the fabric. We sampled on three blacks from 2 mills. Batch one lifted easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The outcome: consistent tees throughout 2,400 units, each with a soft, breathable print that sold out by day two.

That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the ideal period. Use a donut probe or an ingrained thermochromic strip to measure real ink film temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood between prints, and control shop humidity.
A third risk is neglecting fabric irregularity. If you switch blanks mid-run since a size runs out stock, you might see shifts in color. Build contingency into your buying. For brand names preparing ahead, choosing a standard blank and locking it with your provider lowers surprises.
If your top priority is soft, breathable customized clothing that customers keep wearing, water based inks are worth the learning curve. Use standard water based upon light garments for clean information and matte color. Transfer to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for small color variance with discharge, especially throughout dye lots. For bulk t shirt orders, build in a single round of physical tasting on the actual blanks you will use, then record your settings and keep back a referral shirt for quality control.
If you operate a print as needed brochure, take a water based capsule of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a location in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515