Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in constant tension: the push for softer, more breathable prints that individuals actually delight in wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I choose inks, pretreatments, and fabrics for custom garments jobs. Throughout the years, I've found out that water based inks and discharge printing are not just buzzwords, they are useful tools that produce beautiful outcomes and real comfort, specifically for T t-shirt printing that requires to withstand day-to-day wear.
If you run a brand name, manage bulk t t-shirt orders, or simply desire your individualized shirts to seem like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The right choice can make the difference between a t-shirt that gets worn when and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks take in into the fibers. That single characteristic discusses most of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically identical from the shirt itself. For custom t shirts developed for comfort, this is the path to the "retail feel" clients ask for.
There are 2 primary families: standard water based and discharge. Basic water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either require a much heavier print or you switch to release. Discharge printing uses an activator that lifts the color from the fabric throughout treating, essentially whitening the t-shirt's color in the printed locations, then changes it with your pigment. Completion result is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks usually contain less unpredictable natural substances than solvent-heavy options and avoid PVC entirely. Numerous are certified with strict requirements like Oeko-Tex or satisfy retail testing routines that ban certain phthalates and heavy metals. If you offer custom-made apparel into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You also require to take a look at shop practices: filtration on your washout cubicle, recover chemistry, energy use on your dryer, and even fabric sourcing. Discharge needs an activator, typically based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is captured. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability hides in the details.
Most individuals do not purchase a graphic tee since they like the ink. They purchase it since the garment looks good, feels good, and keeps that character after repeated washing. Water based inks, consisting of discharge, provide you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you extend across the chest.
I keep a rack of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients choose, but the user feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a measured bag and backpack embroidery ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the exact same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, however you're still dealing with a background that is moving as the dye is removed.
That's not a flaw, it belongs to the medium. Lots of designers welcome the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color recreation for corporate logos, either order test prints on the precise batch you plan to use direct to garment or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just raises the cotton portion. That means your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, vibrant color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on finished garments, expect little spaces along seams, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on material but can lock a mesh if you stop briefly too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a stable variety, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will discover how quickly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent pace, lower clogging.
Curing is where many beginners miss the mark. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient air flow makes the difference. You desire even heat throughout the belt and adequate dwell to reach the maker's remedy temperature throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel should be dry to the touch with no cool spots. For discharge, the chemical reaction happens throughout this remedy, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual assessment for fading and cracking. Water based prints reveal steady softening and a mild fade in the same method denim relaxes. Plastisol's failure mode is various, typically breaking if the ink layer is too thick or under-cured. For tailored shirts that need to look good at a household reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, however you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, cars perform at comparable speeds. Where it actually settles is in perceived value. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where DTF printing the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs overnight turnaround and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you handle wholesale t t-shirts with multiple colorways and need to keep stock flexible, a flexible water based scheme on light garments is effective, given that you prevent the weight and tightness that accumulate with several underbases in plastisol.
Design preparation starts with the material color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can complete with discharge, especially on high-absorbency cotton. If you need razor negative area, different the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor throughout treating, discharge days in the shop are obvious. Well-managed air flow mitigates this, but it becomes part of the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the impact is more satin than true metal. For high-opacity neons on dark shirts that should be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that gets rid of uncertainty. An easy method keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own restraints: quick art modifications, little batch sizes, and the requirement for a broad color range. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange catalog method. For styles that are high volume even at small day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I explain what they are buying. They get the soft hand that retail customers relate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a basic three-color front hit might be modest, often a little uplift that can be reduced the effects of by picking a somewhat more economical blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at superior rate points, the improvement in viewed value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for expense, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it basic and reasonable so the shirt survives real life. Water based and discharge prints choose cooler washes and lower dryer heat, however they will withstand typical laundering if properly cured. I suggest phrasing care suggestions in human terms on product pages: wash cold with comparable colors, topple dry low, avoid material softeners if you desire colors to stay crisp. The last note matters due to the fact that some conditioners can deposit movies on fibers, dulling the visual contrast of fine lines.
I have actually checked these instructions in-house: 2 similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little much faster fading of mid-tones, yet still looked great. That tolerance originates from correct remedy, not from babying the garment.
All over print catches attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating seams, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brand names that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a local music celebration. The client wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on 3 blacks from 2 mills. Batch one lifted cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: constant tees across 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the needed temp for the ideal period. Use a donut probe or an ingrained thermochromic strip to determine true ink movie temperature level, not simply dryer setpoints. Screen lockup is the 2nd. Keep a constant rate on press, flood between prints, and control store humidity.
A 3rd risk is neglecting material variability. If you change blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Develop contingency into your getting. For brand names planning ahead, picking a standard blank and locking it with your supplier minimizes surprises.
If your priority is soft, breathable custom garments that consumers keep using, water based inks deserve the knowing curve. Usage basic water based upon light garments for tidy detail and matte color. Move to release on 100 percent cotton when you desire the softest prints on dark shirts. Accept and plan for minor color variation with discharge, particularly throughout color lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will utilize, then document your settings and hold back a referral shirt for quality control.
If you run a print as needed catalog, take a water based capsule of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing but fiber, you've won. That's the minute water based and discharge provide, and why they deserve a place in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515