Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in constant tension: the push for softer, more breathable prints that people actually enjoy using, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has shaped how I choose inks, pretreatments, and fabrics for customized apparel projects. Throughout the years, I've found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning results and real comfort, specifically for T shirt printing that needs to withstand everyday wear.
If you run a brand name, manage bulk t t-shirt orders, or simply desire your individualized shirts to seem like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The right option can make the difference in between a t-shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a movie, water based inks take in into the fibers. That single characteristic discusses the majority of the benefits and trade-offs. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently identical from the shirt itself. For custom t shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are 2 primary households: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either need a much heavier print or you switch to discharge. Release printing utilizes an activator that raises the dye from the material during curing, basically whitening the t-shirt's dye in the printed locations, then changes it with your pigment. Completion result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks normally consist of fewer unstable organic compounds than solvent-heavy options and prevent PVC completely. Lots of are compliant with rigorous requirements like Oeko-Tex or meet retail testing regimes that prohibit particular phthalates and heavy metals. If you offer custom apparel into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You likewise need to look at shop practices: filtration on your washout cubicle, reclaim chemistry, energy use on your dryer, and even fabric sourcing. Discharge needs an activator, usually based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is recorded. If you're utilizing print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee due to the fact that they love the ink. They purchase it due to the fact that the garment looks good, feels excellent, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, provide you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often receive from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed a little, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different color lots discharge in a different way, even within the very same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, however you're still working with a background that is moving as the color is removed.
That's not a defect, it's part of the medium. Many designers welcome the a little vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color recreation for corporate logos, either order test prints on the precise batch you plan to utilize or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be dispersed eco-friendly t shirts nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just raises the cotton portion. That suggests your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vibrant color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on completed garments, expect little voids along joints, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on material but can lock a mesh if you pause too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a consistent range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will see how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, minimize clogging.
Curing is where lots of beginners fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough airflow makes the difference. You want even heat throughout the belt and adequate dwell to reach the maker's remedy temperature throughout the ink layer, not simply at the surface area. Shirts exiting the tunnel ought to be dry to the touch without any cool spots. For discharge, the chain reaction occurs throughout this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on correct treatment and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints reveal steady softening and a mild fade in the exact same way denim unwinds. Plastisol's failure mode is different, usually breaking if the ink layer is too thick or under-cured. For customized shirts that require to look good at a household reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, however the economics fall into familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, vehicles perform at comparable speeds. Where it truly pays off is in perceived value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires over night turnaround and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t shirts with several colorways and should keep stock versatile, a flexible water based scheme on light garments is efficient, because you avoid the weight and tightness that collect with several underbases in plastisol.
Design planning starts with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, specifically on high-absorbency cotton. If you require razor negative space, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and color lift.
There are times I encourage against discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small odor throughout treating, discharge days in the shop are noticeable. Well-managed air flow reduces this, but it becomes part of the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that gets rid of uncertainty. An easy technique keeps surprises at bay and helps you hit due dates for launches and events.
Print as needed has its own restraints: quick art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually ended up being the default, but water based screen printing can fit POD if you arrange brochure strategy. For styles that are high volume even at small everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I discuss what they are buying. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, often a little uplift that can be reduced the effects of by choosing a slightly more economical blank. If the program is for wholesale t shirts going into boutiques or e-commerce at exceptional rate points, the improvement in viewed worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, options matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it easy and practical so the shirt makes it through real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure normal laundering if effectively treated. I suggest phrasing care pointers in human terms on item pages: wash cold with similar colors, topple dry low, avoid fabric softeners if you desire colors to remain crisp. The last note matters due to the fact that some conditioners can deposit movies on fibers, dulling the visual contrast of fine lines.
I've checked these directions in-house: 2 identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat quicker fading of mid-tones, yet still looked excellent. That tolerance comes from right remedy, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling seams, style for them. Usage tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments check out as customized from a range, which is the goal.
One spring we ran a series for a local music festival. The client wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from 2 mills. Batch one lifted easily with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the best period. Use a donut probe or an ingrained thermochromic strip to measure real ink film temperature level, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent rate on press, flood in between prints, and control shop humidity.
A 3rd pitfall is ignoring fabric variability. If you change blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your buying. For brands preparing ahead, selecting a standard blank and locking it with your provider decreases surprises.
If your priority is soft, breathable custom apparel that consumers keep using, water based inks are worth the knowing curve. Use basic water based on light garments for clean information and matte color. Relocate to discharge on one hundred percent cotton when you want the softest prints on dark shirts. Accept and prepare for small color difference with discharge, specifically across color lots. For bulk t t-shirt orders, build in a single round of physical sampling on the actual blanks you will use, then record your settings and hold back a reference t-shirt for quality control.
If you operate a print on demand brochure, carve out a water based capsule of finest sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.

Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they deserve a location in any major store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515