Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant stress: the push for softer, more breathable prints that people actually enjoy using, and the need to produce at scale without compromising the environment or the bottom line. That stress has formed how I choose inks, pretreatments, and fabrics for custom-made garments jobs. Throughout the years, I've found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce gorgeous results and real convenience, specifically for T shirt printing that needs to withstand daily wear.
If you run a brand name, manage no minimum order shirts bulk t shirt orders, or just desire your tailored shirts to seem like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The best option can make the difference in between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks take in into the fibers. That single characteristic discusses most of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the t-shirt itself. For custom t t-shirts created for comfort, this is the path to the "retail feel" clients ask for.
There are two primary families: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker fabrics, you either require a heavier print or you switch to discharge. Release printing uses an activator that lifts the dye from the fabric throughout curing, basically whitening the t-shirt's dye in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, typically with exceptional detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks usually consist of fewer unstable organic substances than solvent-heavy alternatives and avoid PVC altogether. Numerous are certified with rigorous standards like Oeko-Tex or satisfy retail screening regimes that ban particular phthalates and heavy metals. If you offer custom-made clothing into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system concept. Ink is one part. You also need to look at store practices: filtering on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, usually based upon zinc formaldehyde sulfoxylate or small batch apparel printing similar substances, which has its own handling and ventilation needs. In a well-run shop, exposure is managed and waste is recorded. If you're using print on demand with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability conceals in the details.
Most people do not buy a graphic tee since they enjoy the ink. They purchase it since the garment looks great, feels excellent, and keeps that character after repeated washing. Water based inks, consisting of discharge, give you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often receive from heavy plastisol when you extend across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear customers choose, however the wearer feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the very same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is moving as the dye is removed.
That's not a defect, it's part of the medium. Many designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color reproduction for business logo designs, either order test prints on the specific batch you prepare to utilize or think about a water based underbase or hybrid technique where required. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton portion. That implies your color saturates the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, brilliant color on a poly blend, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on finished garments, expect small spaces along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which is useful on fabric however can lock a mesh if you pause too long. Running a higher mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a consistent variety, approximately 45 to 55 percent, to avoid early drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent speed, reduce clogging.
Curing is where many novices fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the difference. You desire even heat throughout the belt and enough dwell to reach the maker's remedy temperature throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel must be dry to the touch without any cool areas. For discharge, the chemical reaction takes place during this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and splitting. Water based prints reveal steady softening and a mild fade in the very same method denim relaxes. Plastisol's failure mode is various, normally splitting if the ink layer is too thick or under-cured. For individualized shirts that need to look good at a family reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be a little slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars perform at similar speeds. Where it actually pays off is in perceived value. A soft print on a mid-tier blank often feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires overnight turnaround and art modifications continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t shirts with several colorways and must keep stock versatile, a flexible water based palette on light garments is efficient, considering that you prevent the weight and tightness that build up with numerous underbases in plastisol.

Design preparation starts with the material color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color looks through. A charcoal heather with a discharge cream graphic looks like it grew there.

Type weight matters. Extremely thin knockouts inside heavy flood areas can fill out with discharge, particularly on high-absorbency cotton. If you require razor unfavorable space, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of relying on a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, specifically with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small smell during treating, discharge days in the store are obvious. Well-managed air flow reduces this, but it is part of the process.

If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that should be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that eliminates guesswork. An easy approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own restrictions: fast art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize catalog technique. For styles that are high volume even at little daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship exact same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol task, I discuss what they are purchasing. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a little uplift that can be neutralized by picking a somewhat more affordable blank. If the program is for wholesale t shirts entering into boutiques or e-commerce at exceptional cost points, the improvement in viewed value more than covers the change.
For personalized shirts, such as charity runs or college clubs, alternatives matter. Offer a base rate with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it simple and sensible so the t-shirt makes it through real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will withstand typical laundering if properly cured. I suggest phrasing care tips in human terms on item pages: wash cold with similar colors, topple dry low, avoid material softeners if you want colors to stay crisp. The last note matters since some conditioners can transfer movies on fibers, dulling the visual contrast of fine lines.
I have actually tested these instructions in-house: two similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little faster fading of mid-tones, yet still looked great. That tolerance comes from right treatment, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The finished garments read as custom from a range, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We tested on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The result: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never struck the required temperature for the best period. Utilize a donut probe or an embedded thermochromic strip to determine real ink film temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood between prints, and control store humidity.
A third risk is neglecting material irregularity. If you switch blanks mid-run since a size runs out stock, you may see shifts in color. Construct contingency into your buying. For brand names planning ahead, selecting a basic blank and locking it with your supplier decreases surprises.
If your top priority is soft, breathable custom-made clothing that customers keep using, water based inks are worth the learning curve. Use standard water based on light garments for tidy detail and matte color. Transfer to release on 100 percent cotton when you desire the softest prints on dark shirts. Accept and prepare for minor color variance with discharge, especially throughout dye lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will use, then record your settings and hold back a reference shirt for quality control.
If you run a print as needed catalog, carve out a water based capsule of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge provide, and why they should have a location in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515