Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people in fact take pleasure in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and fabrics for custom clothing tasks. For many years, I've found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce gorgeous outcomes and real comfort, especially for T shirt printing that requires to stand up to everyday wear.
If you run a brand name, manage bulk t t-shirt orders, or just want your tailored t-shirts to feel like a favorite from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The right choice can make the difference in between a t-shirt that gets used as soon as and one that ends up being the go-to.
same-day embroideryWater based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a film, water based inks take in into the fibers. That single characteristic describes most of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the shirt itself. For custom t t-shirts developed for convenience, this is the path to the "retail feel" clients ask for.
There are two main households: standard water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a much heavier print or you change to discharge. Release printing uses an activator that lifts the color from the fabric during treating, essentially bleaching the t-shirt's color in the printed locations, then replaces it with your pigment. The end result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks typically include fewer volatile organic substances than solvent-heavy alternatives and prevent PVC altogether. Many are compliant with stringent standards like Oeko-Tex or meet retail screening routines that prohibit specific phthalates and heavy metals. If you sell custom-made garments into business health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You likewise require to look at shop practices: filtration on your washout booth, reclaim chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, usually based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run store, direct exposure is managed and waste is caught. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability hides in the details.

Most individuals do not purchase a graphic tee because they love the ink. They buy it due to the fact that the garment looks great, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes get from heavy plastisol when you stretch across the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear customers choose, but the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge in a different way, even within the very same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is shifting as the dye is removed.

That's not a flaw, it's part of the medium. Numerous designers welcome the slightly classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand demands laser-precise color reproduction for business logo designs, either order test prints on the precise batch you plan to utilize or think about a water based underbase or hybrid technique where required. For wholesale t shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vibrant color on a poly mix, conventional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on completed garments, expect small spaces along joints, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry quicker in the screen, which works on fabric however can lock a mesh if you stop briefly too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a consistent range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will discover how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and consistent rate, minimize clogging.
Curing is where many beginners miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the distinction. You desire even heat across the belt and sufficient dwell to reach the producer's cure temperature throughout the ink layer, not just at the surface. Shirts leaving the tunnel must be dry to the touch without any cool spots. For discharge, the chain reaction happens throughout this cure, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon correct cure and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual evaluation for fading and cracking. Water based prints show steady softening and a mild fade in the very same way denim unwinds. Plastisol's failure mode is different, generally splitting if the ink layer is too thick or under-cured. For tailored t-shirts that require to look proficient at a household reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, vehicles perform at similar speeds. Where it truly settles remains in perceived worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs overnight turn-around and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel compromises. When you take on wholesale t t-shirts with numerous colorways and must keep stock versatile, a versatile water based palette on light garments is efficient, because you avoid the weight and tightness that accumulate with multiple underbases in plastisol.
Design planning starts with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood areas can fill out with discharge, particularly on high-absorbency cotton. If you require razor negative area, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of relying on a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed performance t-shirts, resulting in ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor throughout treating, discharge days in the store are obvious. Well-managed air flow alleviates this, but it is part of the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that gets rid of uncertainty. A simple method keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own constraints: fast art changes, small batch sizes, and the need for a broad color range. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you organize brochure strategy. For designs that are high volume even at small daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol job, I describe what they are buying. They get the soft hand that retail customers relate with quality, enhanced breathability, and compliance for delicate purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, typically a little uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into shops or e-commerce at superior rate points, the enhancement in perceived value more than covers the change.
For customized shirts, such as charity runs or college clubs, choices matter. Deal a base price with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Meeting both lets you serve a larger market without diluting your craft.

Care labels frequently check out like legal disclaimers. Keep it simple and reasonable so the shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will withstand normal laundering if appropriately cured. I recommend phrasing care tips in human terms on product pages: wash cold with similar colors, tumble dry low, avoid material conditioners if you desire colors to remain crisp. The last note matters since some conditioners can deposit movies on fibers, dulling the visual contrast of fine lines.
I have actually evaluated these directions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly much faster fading of mid-tones, yet still looked good. That tolerance comes from proper cure, not from babying the garment.
All over print catches attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting joints, style for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brand names that offer limited runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments check out as customized from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The client wanted soft black tees with a sunburst print that seemed like it lived in the material. We tested on three blacks from 2 mills. Batch one raised easily with discharge, batch two stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the response. The result: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temp for the right duration. Use a donut probe or an embedded thermochromic strip to determine real ink movie temperature level, not simply dryer setpoints. Screen lockup is the second. Keep a constant speed on press, flood between prints, and control store humidity.
A 3rd risk is ignoring material irregularity. If you change blanks mid-run since a size runs out stock, you may see shifts in color. Develop contingency into your getting. For brands preparing ahead, picking a standard blank and locking it with your supplier minimizes surprises.
If your priority is soft, breathable custom-made apparel that clients keep using, water based inks are worth the knowing curve. Use standard water based upon light garments for clean detail and matte color. Transfer to release on 100 percent cotton when you want the softest prints on dark shirts. Accept and prepare for minor color difference with discharge, especially throughout dye lots. For bulk t t-shirt orders, build in a single round of physical sampling on the real blanks you will utilize, then document your settings and keep back a reference t-shirt for quality control.
If you operate a print on demand catalog, take a water based pill of best sellers on light t-shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a place in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515