Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent stress: the push for softer, more breathable prints that people in fact enjoy wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has actually formed how I choose inks, pretreatments, and fabrics for custom clothing tasks. Throughout the years, I've found out that water based inks and discharge printing are not just buzzwords, they are useful tools that produce lovely results and real comfort, particularly for T t-shirt printing that requires to stand up to everyday wear.

If you run a brand, handle bulk t shirt orders, or merely want your tailored shirts to seem like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The ideal option can make the difference in between a shirt that gets worn once and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a film, water based inks soak up into the fibers. That single particular discusses most of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently equivalent from the t-shirt itself. For custom-made t t-shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the ideal base, but once you move into darker fabrics, you either require a heavier print or you change to discharge. Discharge printing utilizes an activator that raises the color from the fabric during curing, essentially whitening the t-shirt's dye in the printed locations, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks usually consist of less unstable natural substances than solvent-heavy alternatives and avoid PVC altogether. Numerous are compliant with rigorous requirements like Oeko-Tex or satisfy retail testing programs that prohibit specific phthalates and heavy metals. If you sell customized garments into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at store practices: purification on your washout booth, recover chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge needs an activator, typically based upon zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run store, direct exposure is controlled and waste is caught. If you're utilizing print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most people do not buy a graphic tee since they enjoy the ink. They buy it due to the fact that the garment looks excellent, feels good, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in comfort from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases obtain from heavy plastisol when you stretch across the chest.
I keep a rack of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear customers choose, but the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the exact same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, but you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it belongs to the medium. Lots of designers embrace the slightly classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color reproduction for business logos, either order test prints on the specific batch you prepare to use or consider a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be dispersed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton portion. That implies your color saturates the cotton while the polyester and rayon remain as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vibrant color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on finished garments, expect little voids along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which works on fabric but can lock a mesh if you stop briefly too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a steady variety, roughly 45 to 55 percent, to prevent premature drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant speed, decrease clogging.
Curing is where lots of newbies fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the distinction. You desire even heat throughout the belt and enough dwell to reach the producer's cure temperature throughout the ink layer, not just at the surface area. Shirts exiting the tunnel should be dry to the touch without any cool spots. For discharge, the chemical reaction occurs during this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and breaking. Water based prints reveal progressive softening and a gentle fade in the exact same method denim relaxes. Plastisol's failure mode is various, typically splitting if the ink layer is too thick or under-cured. For tailored shirts that need to look proficient at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, but you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, vehicles perform at similar speeds. Where it really settles remains in perceived value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires overnight turn-around and art modifications continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t shirts with multiple colorways and must keep stock flexible, a versatile water based palette on light garments is effective, considering that you avoid the weight and stiffness that build up with multiple underbases in plastisol.
Design preparation starts with the fabric color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, particularly on high-absorbency cotton. If you require razor negative space, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I advise versus discharge. Polyester-rich garments are top of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor throughout treating, discharge days in the shop are visible. Well-managed airflow alleviates this, but it is part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the result is more satin than real metal. For high-opacity neons on dark t-shirts that need to be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that gets rid of guesswork. A basic method keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own restrictions: fast art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you arrange catalog method. For designs that are high volume even at little daily amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship very same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are buying. They get the soft hand that retail customers correspond with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the distinction for a basic three-color Spot color front hit may be modest, typically a small uplift that can be reduced the effects of by choosing a somewhat more cost-effective blank. If the program is for wholesale t shirts going into stores or e-commerce at superior price points, the enhancement in perceived value more than covers the change.
For customized t-shirts, such as charity runs or college clubs, alternatives matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for expense, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels often read like legal disclaimers. Keep it basic and practical so the shirt makes it through real life. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will sustain typical laundering if appropriately treated. I suggest phrasing care tips in human terms on product pages: wash cold with similar colors, tumble dry low, avoid fabric softeners if you want colors to stay crisp. The last note matters since some conditioners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually tested these directions in-house: two similar shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little much faster fading of mid-tones, yet still looked good. That tolerance comes from right remedy, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, design for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brands that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the style necessitates it. The finished garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The client wanted soft black tees with a sunburst print that felt like it lived in the fabric. We sampled on 3 blacks from two mills. Batch one raised easily with discharge, batch 2 remained DTG vs screen printing stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temperature for the ideal period. Use a donut probe or an embedded thermochromic strip to measure real ink movie temperature, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a constant pace on press, flood between prints, and control shop humidity.

A 3rd mistake is ignoring fabric variability. If you change blanks mid-run because a size is out of stock, you might see shifts in color. Develop contingency into your getting. For brands planning ahead, selecting a basic blank and locking it with your supplier reduces surprises.

If your priority is soft, breathable custom-made clothing that clients keep using, water based inks deserve the learning curve. Usage basic water based on light garments for clean detail and matte color. Move to release on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for small color variation with discharge, especially across color lots. For bulk t shirt orders, build in a single round of physical sampling on the real blanks you will utilize, then document your settings and hold back a referral t-shirt for quality control.
If you run a print on demand brochure, take a water based capsule of finest sellers monogramming on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels nothing but fiber, you have actually won. That's the moment water based and discharge deliver, and why they should have a place in any severe store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515