Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that individuals really delight in using, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has actually formed how I select inks, pretreatments, and materials for customized clothing jobs. Over the years, I've learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce stunning outcomes and genuine comfort, specifically for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand, handle bulk t shirt orders, or simply desire your tailored shirts to seem like a preferred from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The best choice can make the difference between a shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks soak up into the fibers. That single particular describes the majority of the advantages and trade-offs. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently indistinguishable from the t-shirt itself. For custom-made t t-shirts designed for comfort, this is the course to the "retail feel" clients ask for.
There are two primary families: basic water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either require a heavier print or you change to release. Release printing utilizes an activator that raises the color from the fabric during curing, basically whitening the shirt's color in the printed areas, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically contain less unstable organic compounds than solvent-heavy alternatives and prevent PVC altogether. Lots of are certified with rigorous standards like Oeko-Tex or meet retail screening programs that prohibit particular phthalates and heavy metals. If you sell custom-made apparel into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise need to look at shop practices: purification on your washout cubicle, recover chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, typically based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is managed and waste is recorded. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and treating controls called in. Real sustainability hides in the details.
Most people do not purchase a graphic tee because they enjoy the ink. They buy it because the garment looks excellent, feels great, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, give you that broken-in convenience from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often receive from heavy plastisol when you stretch across the chest.
I keep a shelf of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear customers choose, but the wearer feedback is consistent: water based seems like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different color lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it's part of the medium. Lots of designers welcome the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for business logos, either order test prints on the precise batch you prepare to utilize or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only raises the cotton portion. That implies your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, vibrant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and irregular pressure that appear as blank micro-gaps. If you must print on completed garments, expect little voids along joints, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry much faster in the screen, which works on material however can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a consistent variety, roughly 45 to 55 percent, to prevent premature drying. custom women’s t shirts Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and constant pace, lower clogging.
Curing is where numerous newbies fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough airflow makes the difference. You desire even heat across the belt and enough dwell to reach the manufacturer's remedy temperature throughout the ink layer, not just at the surface area. Shirts leaving the tunnel ought to be dry to the touch with no cool spots. For discharge, the chain reaction occurs during this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends upon correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints show progressive softening and a gentle fade in the exact same way jeans relaxes. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For individualized shirts that require to look good at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, automobiles run at similar speeds. Where it truly pays off remains in perceived worth. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that requires over night turnaround and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel trade-offs. When you handle wholesale t t-shirts with numerous colorways and must keep stock flexible, a flexible water based palette on light garments is efficient, given that you avoid the weight and stiffness that build up with multiple underbases in plastisol.
Design preparation starts with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you need razor unfavorable area, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment instead of trusting a digital mockup. A mockup can not catch fiber interplay and color lift.
There are times I encourage versus discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed efficiency t-shirts, causing ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small odor during curing, discharge days in the shop are visible. Well-managed air flow alleviates this, however it becomes part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the effect is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that removes guesswork. A simple method keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own restrictions: fast art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize catalog strategy. For designs that are high volume even at little day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to one or two colors and select light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Customers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol task, I discuss what they are purchasing. They get the soft hand that retail consumers equate with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a basic three-color front hit may be modest, typically a small uplift that can be reduced the effects of by picking a slightly more cost-effective blank. If the program is for wholesale t t-shirts going into boutiques or e-commerce at premium price points, the improvement in perceived value more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, choices matter. Deal a base price with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it basic and sensible so the shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will withstand typical laundering if appropriately cured. I suggest phrasing care suggestions in human terms on item pages: wash cold with similar colors, topple dry low, avoid material softeners if you want colors to stay crisp. The last note matters because some conditioners can transfer films on fibers, dulling the visual contrast of fine lines.
I've evaluated these instructions in-house: 2 similar t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked good. That tolerance comes from correct treatment, not from babying the garment.
All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The finished garments read as custom from a distance, which is the goal.
One spring we ran a series for a local music festival. The customer desired soft black tees with a sunburst print that seemed like it resided in the material. We sampled on 3 blacks from two mills. Batch one lifted easily with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temperature for the best duration. Utilize a donut probe or an embedded thermochromic strip to determine real ink film temperature level, not just clothes dryer setpoints. Screen lockup is the 2nd. Keep a consistent rate on press, flood between prints, and control store humidity.
A 3rd risk is ignoring material irregularity. If you change blanks mid-run since a size runs out stock, you may see shifts in color. Construct contingency into your getting. For brand names planning ahead, choosing a standard blank and locking it with your supplier minimizes surprises.
If your top priority is soft, breathable customized apparel that clients keep wearing, water based inks are worth the knowing curve. Usage standard water based on light garments for clean information and matte color. Relocate to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for slight color variance with discharge, specifically across dye lots. For bulk t shirt orders, build in a single round of physical tasting on the real blanks you will use, then record your settings and keep back a referral shirt for quality control.
If you run a print as needed brochure, take a water based pill of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the minute water based and discharge provide, and why they are worthy of a location in any severe store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515