Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant tension: the push for softer, more breathable prints that individuals in fact enjoy wearing, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I select inks, pretreatments, and fabrics for custom-made clothing projects. Over the years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce beautiful results and real comfort, especially for T shirt printing that requires to stand up to daily wear.
If you run a brand name, handle bulk t t-shirt orders, or just desire your individualized shirts to feel like a favorite from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. The best choice can make the difference in between a shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a film, water based inks take in into the fibers. That single characteristic discusses most of the advantages and trade-offs. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is often equivalent from the shirt itself. For custom-made t t-shirts created for comfort, this is the path to the "retail feel" customers ask for.
There are 2 primary families: standard water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the best base, but once you move into darker fabrics, you either require a much heavier print or you switch to discharge. Discharge printing utilizes an activator that raises the color from the fabric during curing, basically bleaching the shirt's dye in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks normally consist of less unstable organic compounds than solvent-heavy alternatives and avoid PVC completely. Many are compliant with rigorous standards like Oeko-Tex or meet retail screening shirt embroidery routines that prohibit particular phthalates and heavy metals. If you offer custom clothing into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise need to look at shop practices: filtration on your washout cubicle, recover chemistry, energy use on your clothes dryer, and even fabric sourcing. Discharge needs an activator, usually based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is managed and waste is caught. If you're utilizing print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability conceals in the details.
Most individuals do not buy a graphic tee due to the fact that they enjoy the ink. They purchase it because the garment looks good, feels excellent, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases obtain from heavy plastisol when you extend across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and design your own shirt still pops more under extreme light, which some streetwear customers prefer, however the user feedback corresponds: water based seems like personalized tees a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different dye lots discharge differently, even within the same brand name and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, however you're still working with a background that is shifting as the dye is removed.
That's not a flaw, it becomes part of the medium. Lots of designers welcome the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand needs laser-precise color recreation for business logo designs, either order test prints on the exact batch you plan to use or consider a water based underbase or hybrid method where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, however discharge only lifts the cotton portion. That suggests your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, vivid color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents seams, folds, and irregular pressure that show up as blank micro-gaps. If you must print on finished garments, expect small spaces along joints, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which is useful on fabric however can lock a mesh if you stop briefly too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting service at hand, and keep the print room humidity in a stable variety, roughly 45 to 55 percent, to avoid early drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent speed, reduce clogging.
Curing is where lots of newbies miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the difference. You desire even heat across the belt and enough dwell to reach the manufacturer's remedy temperature throughout the ink layer, not just at the surface area. T-shirts leaving the tunnel ought to be dry to the touch without any cool areas. For discharge, the chemical reaction occurs throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon correct treatment and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and breaking. Water based prints show steady softening and a mild fade in the exact same method denim unwinds. Plastisol's failure mode is different, generally breaking if the ink layer is too thick or under-cured. For tailored t-shirts that require to look proficient at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, however the economics fall under familiar patterns. Water based ink itself is often similar to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be a little slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, cars run at comparable speeds. Where it actually settles is in viewed value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that requires over night turnaround and art changes continuously, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you handle wholesale t shirts with multiple colorways and need to keep inventory flexible, a versatile water based scheme on light garments is effective, given that you prevent the weight and stiffness that build up with several underbases in plastisol.
Design planning begins with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill out with discharge, specifically on high-absorbency cotton. If you require razor negative area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than trusting a digital mockup. A mockup can not record fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can cause color migration, specifically with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor smell during treating, discharge days in the store are noticeable. Well-managed air flow mitigates this, but it is part of the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles frequently sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that eliminates guesswork. A simple approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own restrictions: fast art changes, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has ended up being the default, however water based screen printing can fit POD if you arrange catalog method. For designs that are high volume even at little day-to-day quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel better than many DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I explain what they are purchasing. They get the soft hand that retail clients equate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a basic three-color front hit may be modest, frequently a little uplift that can be neutralized by picking a slightly more cost-effective blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at exceptional cost points, the enhancement in viewed worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, alternatives matter. Offer a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it simple and reasonable so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will withstand typical laundering if effectively cured. I suggest phrasing care ideas in human terms on product pages: wash cold with similar colors, topple dry low, avoid material conditioners if you desire colors to remain crisp. The last note matters due to the fact that some conditioners can deposit films on fibers, dulling the visual contrast of great lines.
I've evaluated these directions in-house: two similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed somewhat much faster fading of mid-tones, yet still looked great. That tolerance originates from proper treatment, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting seams, design for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the design requires it. The finished garments check out as custom-made from a range, which is the goal.
One spring we ran a series for a local music festival. The client desired soft black tees with a sunburst print that felt like it resided in the material. We tested on 3 blacks from 2 mills. Batch one raised easily with hat embroidery discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 DTF vs DTG seconds to complete the reaction. The result: consistent tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to process, not the ink family. Under-curing is the first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the ideal period. Utilize a donut probe or an embedded thermochromic strip to measure true ink film temperature, not just dryer setpoints. Screen lockup is the 2nd. Keep a constant speed on press, flood between prints, and control shop humidity.
A third pitfall is ignoring material variability. If you switch blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Build contingency into your getting. For brands planning ahead, choosing a standard blank and locking it with your provider reduces surprises.
If your concern is soft, breathable custom apparel that customers keep wearing, water based inks are worth the learning curve. Usage standard water based upon light garments for tidy information and matte color. Move to discharge on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for slight color variation with discharge, specifically across dye lots. For bulk t shirt orders, build in a single round of physical sampling on the real blanks you will utilize, then record your settings and keep back a recommendation shirt for quality control.
If you run a print on demand catalog, carve out a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb across a print and feels nothing but fiber, you have actually won. That's the minute water based and discharge provide, and why they deserve a place in any severe shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515