Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that people really enjoy wearing, and the need to produce at scale without jeopardizing the environment or the bottom line. That stress has formed how I select inks, pretreatments, and materials for custom garments tasks. Throughout the years, I have actually found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce lovely outcomes and real convenience, particularly for T shirt printing that needs to withstand day-to-day wear.
If you run a brand, manage bulk t shirt orders, or simply want your individualized shirts to seem like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal choice can make the distinction in between a shirt that gets used as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a film, water based inks absorb into the fibers. That single particular discusses most of the advantages and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the shirt itself. For custom t shirts created for comfort, this is the course to the "retail feel" customers ask for.
There are two primary families: basic water based and discharge. T shirt printing Prints R Us Standard water based ink works best on white or very light shirts. It can cover mid-tones with the best base, once you move into darker fabrics, you either require a much heavier print or you change to release. Discharge printing utilizes an activator that lifts the dye from the material throughout treating, basically whitening the t-shirt's color in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, typically with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally include less volatile organic compounds than solvent-heavy options and avoid PVC altogether. Lots of are compliant with strict requirements like Oeko-Tex or fulfill retail testing routines that prohibit specific phthalates and heavy metals. If you sell custom apparel into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at shop practices: filtering on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, normally based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, direct exposure is managed and waste is caught. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability conceals in the details.
Most people do not purchase a graphic tee because they enjoy the ink. They buy it since the garment looks good, feels good, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes get from heavy plastisol when you extend across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the wearer feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various dye lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still working with a background that is shifting as the color is removed.
That's not a flaw, it becomes part of the medium. Lots of designers welcome the somewhat vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color reproduction for corporate logos, either order test prints on the precise batch you prepare to use or think about a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge just raises the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly mix, traditional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you must print on completed garments, expect small voids along joints, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry faster in the screen, which is useful on fabric but can lock a mesh if you stop briefly too long. Running a greater mesh for information, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a stable variety, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will observe how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, minimize clogging.
Curing is where numerous beginners fizzle. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You desire even heat throughout the belt and enough dwell to reach the maker's remedy temperature throughout the ink layer, not just at the surface area. Shirts leaving the tunnel needs to be dry to the touch without any cool spots. For discharge, the chemical reaction happens throughout this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends upon correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and splitting. Water based prints reveal gradual softening and a mild fade in the same way denim unwinds. Plastisol's failure mode is different, typically cracking if the ink layer is too thick or under-cured. For individualized shirts that require to look proficient at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos run at similar speeds. Where it actually settles remains in viewed worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t t-shirt orders above a few hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel compromises. When you handle wholesale t shirts with multiple colorways and need to keep stock versatile, a flexible water based palette on light garments is effective, given that you avoid the weight and tightness that build up with several underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can complete with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of relying on a digital mockup. A mockup can not capture fiber interaction and dye lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor throughout curing, discharge days in the store are obvious. Well-managed airflow mitigates this, but it becomes part of the process.
If a customer needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles often sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that eliminates guesswork. A simple approach keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restraints: quick art changes, small batch sizes, and the need for a broad color range. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you organize catalog strategy. For styles that are high volume even at little everyday amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship very same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I discuss what they are buying. They get the soft hand that retail clients relate with quality, improved breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, often a little uplift that can be reduced the effects of by selecting a somewhat more cost-effective blank. If the program is for wholesale t t-shirts entering into stores or e-commerce at premium price points, the enhancement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Satisfying both lets you serve a broader market without diluting your craft.
Care labels often read like legal disclaimers. Keep it simple and reasonable so the t-shirt makes it through reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will sustain normal laundering if properly cured. I suggest phrasing care suggestions in human terms on item pages: wash cold with comparable colors, topple dry low, avoid fabric conditioners if you desire colors to remain crisp. The last note matters since some softeners can transfer movies on fibers, dulling the visual contrast of fine lines.
I've tested these directions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked great. That tolerance comes from appropriate remedy, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of combating joints, design for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks deliberate when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the design warrants it. The ended up garments check out as custom-made from a range, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that seemed like it resided in the material. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the response. The result: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the ideal duration. Utilize a donut probe or an ingrained thermochromic strip to measure real ink movie temperature, not simply dryer setpoints. Screen lockup is the 2nd. Keep a consistent rate on press, flood between prints, and control shop humidity.
A third pitfall is neglecting material irregularity. If you switch blanks mid-run due to the fact that a size is out of stock, you may see shifts in color. Develop contingency into your purchasing. For brands planning ahead, picking a basic blank and locking it with your supplier lowers surprises.
If your priority is soft, breathable custom-made garments that clients keep using, water based inks deserve the learning curve. Use standard water based on light garments for tidy detail and matte color. Relocate to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and plan for minor color variance with discharge, specifically throughout dye lots. For bulk t shirt orders, build in a single round of physical tasting on the real blanks you will use, then document your settings and hold back a referral shirt for quality control.
If you operate a print as needed brochure, take a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the minute water based and discharge deliver, and why they should have a place in any serious store or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515