Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant stress: the push for softer, more breathable prints that people actually delight in using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and fabrics for custom-made garments jobs. For many years, I have actually discovered that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce lovely outcomes and genuine convenience, particularly for T t-shirt printing that requires to withstand day-to-day DTG color profiles ICC wear.

If you run a brand name, handle bulk t t-shirt orders, or simply want your tailored shirts to feel like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The best option can make the distinction between a t-shirt that gets worn as soon as and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks soak up into the fibers. That single particular describes the majority of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is often identical from the shirt itself. For custom-made t shirts developed for convenience, this is the course to the "retail feel" customers ask for.
There are two main households: basic water based and discharge. Basic water based ink works best on white or very light t-shirts. It can cover mid-tones with the ideal base, once you move into darker materials, you either require a heavier print or you switch to discharge. Release printing utilizes an activator that lifts the dye from the material throughout treating, basically whitening the t-shirt's dye in the printed locations, then changes it with your pigment. The end outcome is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally contain less volatile natural substances than solvent-heavy alternatives and avoid PVC entirely. Many are compliant with strict requirements like Oeko-Tex or satisfy retail screening programs that prohibit specific phthalates and heavy metals. If you sell custom clothing embroidery for small businesses into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at shop practices: filtering on your washout booth, reclaim chemistry, energy usage on your clothes dryer, and even fabric sourcing. Discharge needs an activator, normally based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, direct exposure is controlled and waste is caught. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability hides in the details.
Most individuals do not buy a graphic tee due to the fact that they love the ink. They purchase it because the garment looks excellent, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, provide you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases get from heavy plastisol when you stretch throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under severe light, which some streetwear clients prefer, but the wearer feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various color lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, but you're still working with a background that is shifting as the color is removed.

That's not a flaw, it's part of the medium. Numerous designers accept the a little classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color recreation for corporate logos, either order test prints on the specific batch you prepare to use or consider a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only raises the cotton part. That means your color saturates the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks intentional if you design for it. If your goal is flat, vivid color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you must print on completed garments, expect small voids along seams, which some clients like as part of the garment's character.
Water based inks behave differently on press. They dry much faster in the screen, which is useful on fabric but can lock a mesh if you stop briefly too long. Running a greater mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a stable variety, roughly 45 to 55 percent, to avoid early drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant speed, minimize clogging.
Curing is where lots of beginners miss the mark. Water based inks need both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the distinction. You want even heat across the belt and enough dwell to reach the producer's remedy temperature level throughout the ink layer, not just at the surface area. Shirts leaving the tunnel must be dry to the touch without any cool areas. For discharge, the chemical reaction occurs during this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can last longer than the t-shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints show steady softening and a gentle fade in the same way jeans relaxes. Plastisol's failure mode is various, usually cracking if the ink layer is too thick or under-cured. For individualized shirts that need to look proficient at a family reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is frequently equivalent to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be a little slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars perform at similar speeds. Where it really settles remains in viewed value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turn-around and art changes constantly, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel compromises. When you handle wholesale t t-shirts with several colorways and should keep stock flexible, a flexible water based combination on light garments is effective, given that you avoid the weight and tightness that collect with several underbases in plastisol.
Design preparation starts with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glances through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill in with discharge, specifically on high-absorbency cotton. If you need razor negative space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask Squeegee pressure your printer for a proof on the actual garment instead of relying on a digital mockup. A mockup can not catch fiber interplay and color lift.
There are times I encourage against discharge. Polyester-rich garments are top of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed efficiency t-shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving on-site embroidery a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell throughout curing, discharge days in the store are obvious. Well-managed air flow reduces this, however it is part of the process.
If a client needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that eliminates guesswork. A simple technique keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restraints: quick art modifications, small batch sizes, and the requirement for a broad color range. Direct-to-garment has ended up being the default, but water based screen printing can fit POD if you arrange brochure strategy. For designs that are high volume even at little day-to-day amounts, pre-burning screens and keeping a small stock of popular sizes lets you ship exact same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to a couple of colors and choose light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I explain what they are purchasing. They get the soft hand that retail consumers correspond with quality, improved breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a little uplift that can be reduced the effects of by choosing a somewhat more cost-effective blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at exceptional price points, the improvement in perceived value more than covers the change.
For customized t-shirts, such as charity runs or college clubs, options matter. Deal a base price with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it easy and realistic so the t-shirt makes it through reality. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will endure regular laundering if correctly treated. I suggest phrasing care ideas in human terms on product pages: wash cold with similar colors, topple dry low, prevent fabric softeners if you desire colors to remain crisp. The last note matters due to the fact that some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I've evaluated these instructions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat faster fading of mid-tones, yet still looked good. That tolerance originates from appropriate remedy, not from babying the garment.

All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of fighting joints, design for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell minimal runs can validate cut-and-sew for 100 to 300 pieces if the style warrants it. The completed garments read as customized from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that felt like it resided in the material. We tested on three blacks from 2 mills. Batch one raised easily with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temp for the right duration. Utilize a donut probe or an embedded thermochromic strip to determine real ink film temperature level, not simply dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood in between prints, and control store humidity.
A 3rd mistake is disregarding material variability. If you change blanks mid-run since a size is out of stock, you might see shifts in color. Build contingency into your acquiring. For brands planning ahead, picking a basic blank and locking it with your provider minimizes surprises.
If your top priority is soft, breathable custom clothing that consumers keep wearing, water based inks are worth the knowing curve. Usage basic water based upon light garments for clean detail and matte color. Move to discharge on 100 percent cotton when you desire the softest prints on dark shirts. Accept and plan for minor color variance with discharge, specifically across color lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the real blanks you will use, then record your settings and hold back a reference t-shirt for quality control.
If you run a print on demand brochure, take a water based pill of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you have actually won. That's the moment water based and discharge provide, and why they should have a location in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515