Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in consistent stress: the push for softer, more breathable prints that people in fact take pleasure in using, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has shaped how I pick inks, pretreatments, and materials for custom garments jobs. For many years, I've found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce beautiful outcomes and genuine comfort, particularly for T t-shirt printing that requires to withstand everyday wear.
If you run a brand name, handle bulk t t-shirt orders, or simply want your personalized t-shirts to feel like a preferred from the first wash, it deserves understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the distinction between a shirt that gets used once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and cures into a film, water based inks absorb into the fibers. That single particular describes most of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often indistinguishable from the t-shirt itself. For customized t t-shirts designed for convenience, this is the course to the "retail feel" clients ask for.
There are 2 primary families: basic water based and discharge. Basic water based ink works best on white or very light t-shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either require a heavier print or you switch to release. Discharge printing uses an activator that raises the dye from the fabric during curing, basically whitening the shirt's dye in the printed areas, then changes it with your pigment. Completion result is the softest possible print on dark cotton, often with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks typically consist of less volatile natural substances than solvent-heavy options and avoid PVC completely. Numerous are certified with rigorous requirements like Oeko-Tex or fulfill retail testing regimes that ban certain phthalates and heavy metals. If you offer customized clothing into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to look at store practices: filtering on your washout cubicle, reclaim chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge requires an activator, typically based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is recorded. If you're using print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability conceals in the details.
Most people do not buy a graphic tee due to the fact that they enjoy the ink. They buy it because the garment looks good, feels great, and keeps that character after repeated washing. Water based inks, including discharge, give you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you extend throughout the chest.
I keep a shelf of contrast t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear customers choose, however the user feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and DTG t shirts the fabric's own dye. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge includes variables. Different color lots discharge in a different way, even within the exact same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, but you're still working with a background that is moving as the color is removed.
That's not a flaw, it belongs to the medium. Numerous designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color recreation for corporate custom hoodie printing logos, either order test prints on the specific batch you plan to utilize or consider a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just lifts the cotton portion. That implies your color fills the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, brilliant color on a poly blend, conventional plastisol or a specialized low-cure system might be smarter.
On all over print tasks, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on completed garments, expect small spaces along seams, which some customers like as part of the garment's character.
Water based inks behave differently on press. They dry quicker in the screen, which works on material however can lock a mesh if you stop briefly too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print space humidity in a steady range, approximately 45 to 55 percent, to prevent early drying. Manual press operators will observe how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and constant pace, decrease clogging.
Curing is where numerous newbies fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with enough airflow makes the difference. You desire even heat across the belt and adequate dwell to reach the maker's remedy temperature level throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel should be dry to the touch without any cool spots. For discharge, the chain reaction takes place throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on correct cure and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I determine toughness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual evaluation for fading and cracking. Water based prints show steady softening and a gentle fade in the exact same way jeans relaxes. Plastisol's failure mode is various, normally breaking if the ink layer is too thick or under-cured. For customized shirts that require to look good at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup since you pay closer attention to fit together, squeegee durometer, and off-contact. As soon as tuned, cars perform at similar speeds. Where it really pays off is in perceived value. A soft print on a mid-tier blank typically feels premium without leaping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that needs over night turnaround and art modifications continuously, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel compromises. When you take on wholesale t t-shirts with several colorways and need to keep inventory versatile, a versatile water based palette on light garments is efficient, because you prevent the weight and stiffness that accumulate with numerous underbases in plastisol.

Design preparation starts with the material color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the t-shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, specifically on high-absorbency cotton. If you need razor negative area, separate the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the real garment instead of trusting a digital mockup. A mockup can not record fiber interaction and color lift.
There are times I advise against discharge. Polyester-rich garments are top of the list. The activator can trigger color migration, specifically with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to small smell during treating, discharge days in the store are obvious. Well-managed airflow alleviates this, however it is part of the process.
If a customer requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles frequently sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that need to be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.

Whether you run your own presses or rely on a partner, established a workflow that gets rid of guesswork. A basic technique keeps surprises at bay and assists you struck due dates for launches and events.
Print on demand has its own restrictions: fast art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you arrange catalog technique. For designs that are high volume even at little daily quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol job, I discuss what they are purchasing. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a little uplift that can be neutralized by selecting a slightly more cost-effective blank. If the program is for wholesale t shirts going into boutiques or e-commerce at exceptional rate points, the improvement in viewed value more than covers the change.
For customized shirts, such as charity runs or college clubs, alternatives matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for cost, others for feel. Satisfying both lets you serve a wider market without diluting your craft.
Care labels typically check out like legal disclaimers. Keep it easy and realistic so the shirt makes it through reality. Water based and discharge prints choose cooler washes and lower dryer heat, but they will withstand regular laundering if properly treated. I suggest phrasing care suggestions in human terms on product pages: wash cold with similar colors, tumble dry low, avoid material softeners if you desire colors to stay crisp. The last note matters since some softeners can deposit films on fibers, dulling the visual contrast of great lines.
I have actually checked these instructions in-house: 2 similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat much faster fading of mid-tones, yet still looked excellent. That tolerance comes from proper cure, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Instead of battling seams, style for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the design necessitates it. The finished garments check out as custom-made from a distance, which is the goal.
One spring we moisture wicking shirts ran a series for a local music festival. The customer desired soft black tees with a sunburst print that seemed like it lived in the material. We sampled on 3 blacks from two mills. Batch one lifted cleanly with discharge, batch 2 remained stubbornly dark in the mid-rays of the art work. We logged dye lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The result: consistent tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temp for the right duration. Use a donut probe or an embedded thermochromic strip to determine true ink movie temperature level, not just clothes dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control shop humidity.
A 3rd pitfall is overlooking fabric irregularity. If you switch blanks mid-run since a size is out of stock, you may see shifts in color. Build contingency into your getting. For brands preparing ahead, choosing a standard blank and locking it with your supplier DTG color profiles ICC decreases surprises.
If your concern full-color photo printing on fabric is soft, breathable custom garments that consumers keep wearing, water based inks deserve the learning curve. Use basic water based upon light garments for tidy detail and matte color. Relocate to release on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for slight color difference with discharge, especially throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then record your settings and hold back a referral t-shirt for quality control.
If you run a print on demand brochure, carve out a water based pill of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a consumer rubs their thumb throughout a print and feels absolutely nothing however fiber, you have actually won. That's the moment water based and discharge deliver, and why they deserve a location in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515