Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that people really enjoy wearing, and the need to produce at scale without compromising the environment or the bottom line. That tension has actually shaped how I select inks, pretreatments, and materials for custom-made garments projects. For many years, I have actually found out that water based inks and discharge printing are not just buzzwords, they are practical tools that produce gorgeous outcomes and genuine convenience, particularly for T t-shirt printing that needs to stand up to everyday wear.
If you run a brand, handle bulk t shirt orders, or merely desire your tailored t-shirts to feel like a preferred from the very first wash, it's worth comprehending how these ink systems work, where they shine, and where they require care. The right option can make the difference between a t-shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and DTG printing cures into a film, water based inks take in into the fibers. That single particular discusses the majority of the benefits and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently identical from the t-shirt itself. For custom t t-shirts designed for comfort, this is the path to the "retail feel" clients ask for.
There are 2 main families: standard water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the ideal base, but once you move into darker materials, you either require a heavier print or you switch to discharge. Discharge printing uses an activator that raises the color from the material throughout curing, basically whitening the t-shirt's color in the printed areas, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks typically include less volatile natural substances than solvent-heavy alternatives and prevent PVC entirely. Lots of are compliant with stringent standards like Oeko-Tex or satisfy retail testing programs that ban certain phthalates and heavy metals. If you sell custom clothing into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at store practices: filtration on your washout cubicle, reclaim chemistry, energy use on your dryer, and even fabric sourcing. Discharge requires an activator, usually based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, exposure is controlled and waste is caught. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Genuine sustainability hides in the details.
Most people do not buy a graphic tee since they like the ink. They buy it since the garment looks great, feels great, and keeps that character after repeated washing. Water based inks, including discharge, provide you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes obtain from heavy plastisol when you extend across the chest.
I keep a rack of contrast t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear clients choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the material's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the very same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the last color, however you're still working with a background that is moving as the dye is removed.
That's not a flaw, it belongs to the medium. Numerous designers embrace the slightly vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for business logo designs, either order test prints on the specific batch you plan to utilize or think about a water based underbase or hybrid approach where needed. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based tri-blend t shirts print is a partnership between ink and fiber. Ringspun cotton takes ink wonderfully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only raises the cotton part. That means your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, vibrant color on a poly mix, conventional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that appear as blank micro-gaps. If you must print on completed garments, expect small spaces along seams, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which is useful on material but can lock a mesh if you pause too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print space humidity in a steady variety, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will see how quickly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent rate, minimize clogging.
Curing is where numerous beginners fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with sufficient air flow makes the difference. You desire even heat throughout the belt and sufficient dwell to reach the maker's remedy temperature throughout the ink layer, not just at the surface. T-shirts exiting the tunnel ought to be dry to the touch with no cool areas. For discharge, the chain reaction takes place throughout this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and cracking. Water based prints reveal steady softening and a gentle fade in the same way denim relaxes. Plastisol's failure mode is various, usually cracking if the ink layer is too thick or under-cured. For customized shirts that require to look good at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically similar to plastisol at the gallon level, but you invest more in shop environment and drying capability. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, autos run at comparable speeds. Where it really pays off is in perceived value. A soft print on a mid-tier blank frequently feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires overnight turnaround and art modifications continuously, direct-to-garment or DTF might be much better operationally, though both have their own environmental and feel compromises. When you handle wholesale t shirts with several colorways and should keep stock flexible, a versatile water based combination on light garments is effective, because you avoid the weight and stiffness that build up with numerous underbases in plastisol.
Design planning begins with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glances through. A charcoal heather with a discharge cream graphic looks like team uniforms printing it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can complete with discharge, particularly on high-absorbency cotton. If you require razor negative area, separate the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than relying on a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I advise against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed efficiency t-shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small odor during treating, discharge days in the shop are visible. Well-managed air flow mitigates this, but it becomes part of the process.
If a client requires metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles frequently sink, and the result is more satin than real metal. For high-opacity neons on dark shirts that must be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that removes guesswork. A simple method keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own restrictions: fast art changes, little batch sizes, and the need for a broad color range. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange catalog strategy. For designs that are high volume even at little everyday amounts, pre-burning screens and keeping a small stock of popular sizes lets you deliver same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I discuss what they are purchasing. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, typically a small uplift that can be neutralized by choosing a somewhat more cost-effective blank. If the program is for wholesale t t-shirts entering into shops or e-commerce at exceptional price points, the enhancement in perceived worth more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, alternatives matter. Offer a base cost with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Satisfying both lets DTG wash durability you serve a larger market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it basic and practical so the t-shirt endures real life. Water based and discharge prints choose cooler washes and lower dryer heat, but they will endure normal laundering if effectively treated. I suggest phrasing care pointers in human terms on product pages: wash cold with comparable colors, tumble dry low, avoid material conditioners if you desire colors to remain crisp. The last note matters because some softeners can deposit films on fibers, dulling the visual contrast of fine lines.
I've evaluated these instructions in-house: 2 similar t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat quicker fading of mid-tones, yet still looked excellent. That tolerance comes from appropriate remedy, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of battling joints, style for them. Use tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brand names that offer minimal runs can justify cut-and-sew for 100 to 300 pieces if the style requires it. The ended up garments check out as custom-made from a range, which is the goal.
One spring we ran a series for a local music celebration. The customer desired soft black tees with a sunburst print that seemed like it lived in the material. We tested on three blacks from two mills. Batch one lifted cleanly with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The outcome: consistent tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.

That task taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temp for the right period. Use a donut probe or an ingrained thermochromic strip to measure real ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent pace on press, flood in between prints, and control store humidity.
A third mistake is overlooking material variability. If you switch blanks mid-run because a size runs out stock, you may see shifts in color. Develop contingency into your buying. For brands planning ahead, choosing a standard blank and locking it with your provider decreases surprises.
If your priority is soft, breathable custom apparel that consumers keep wearing, water based inks deserve the learning curve. Usage basic water based on light garments for tidy information and matte color. Transfer to release on 100 percent cotton when you desire the softest prints on dark shirts. Accept and prepare for minor color variation with discharge, especially throughout dye lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then record your settings and keep back a recommendation shirt for quality control.
If you run a print as needed catalog, carve out a water based capsule of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you've won. That's the minute water based and discharge provide, and why they are worthy of a location in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515